BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//El ABON PLUS - ECPv6.17.5.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:El ABON PLUS
X-ORIGINAL-URL:https://communicative-copper-giraffe.195-250-23-66.cpanel.site
X-WR-CALDESC:Events for El ABON PLUS
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Africa/Accra
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20240101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Africa/Accra:20250409T080000
DTEND;TZID=Africa/Accra:20250409T170000
DTSTAMP:20260928T142337Z
CREATED:20260928T142337Z
LAST-MODIFIED:20260928T142337Z
UID:2436-1744185600-1744218000@communicative-copper-giraffe.195-250-23-66.cpanel.site
SUMMARY:KPALONGO MUSIC
DESCRIPTION:Kpanlogo is one of Ghana’s most popular traditional dances\, originating from the Ga ethnic group in the Greater Accra Region. Often referred to as Kpanlogo music and dance\, it blends elements of tradition and modernity and is celebrated for its high-energy movements and vibrant rhythms. \nKey Features of Kpanlogo Music and Dance:\n1. Origin and Purpose: \nKpanlogo emerged in the 1960s as a form of entertainment for the youth. It is often performed during social gatherings\, festivals\, and celebrations\, symbolizing joy\, unity\, and cultural pride. \n2. Musical Accompaniment: \nThe music is driven by percussive instruments\, including: \n\nKpanlogo drums: Shaped like congas\, they provide the rhythmic foundation.\nMaracas and bells: Add texture to the rhythm.\n\nThe beats are infectious\, characterized by syncopation and call-and-response patterns. \n3. Dance Movements: \nKpanlogo features playful and expressive movements\, often mimicking everyday activities like fishing\, paddling\, or courtship. \nThe dancers emphasize hip and shoulder actions\, with a blend of fluid and sharp gestures. \nMovements are coordinated but allow for improvisation\, making it interactive and engaging. \n4. Costumes: \nPerformers wear traditional Ga attire\, often colorful and simple\, allowing freedom of movement. Accessories like beads and anklets enhance the visual appeal of the dance. \n5. Chants and Songs: \nThe dance incorporates call-and-response songs in the Ga language\, with themes ranging from love and unity to social commentary. Singers lead with chants while the audience or dancers respond. \n6. Community Involvement: \nKpanlogo thrives on participation. It brings people together as both performers and audience members interact by clapping\, singing\, and cheering. \n7. Cultural Fusion: \nWhile rooted in Ga traditions\, Kpanlogo integrates elements of African highlife music\, making it a fusion of traditional and contemporary styles. This has helped it gain popularity across Ghana and internationally. \nSignificance:\nKpanlogo is more than a dance; it is a cultural expression of youthfulness\, freedom\, and creativity. It serves as a medium for storytelling and preserving the cultural identity of the Ga people while fostering unity and celebration in diverse communities.
URL:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/event/kpalongo-music/
LOCATION:Divine Hall\, 3115 Golansky BLVD\, Woodbridge\, VA 22192\, United States
ATTACH;FMTTYPE=image/jpeg:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/wp-content/uploads/2026/09/KPALONGO-MUSIC.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Accra:20250402T073000
DTEND;TZID=Africa/Accra:20250402T213000
DTSTAMP:20260928T141907Z
CREATED:20260928T141907Z
LAST-MODIFIED:20260928T141907Z
UID:2433-1743579000-1743629400@communicative-copper-giraffe.195-250-23-66.cpanel.site
SUMMARY:KPLE DZOO
DESCRIPTION:Kple Dzoo is a traditional dance of the Ga people in Ghana\, typically performed as part of the Homowo Festival\, which celebrates the harvest and thanksgiving to the gods for prosperity and protection. The dance is deeply rooted in spirituality and is used to honor ancestral spirits and deities. \nKey Features of Kple Dzoo:\n1. Spiritual Significance: \nThe dance is performed by a group of specially selected individuals\, often priestesses and elders\, who are spiritually prepared to communicate with the deities. It is a medium of worship and invocation. \n2. Rhythmic Drumming: \nTraditional drums such as the obonu and kpanlogo drums provide the rhythm\, with intricate beats guiding the dancers’ movements. The drumming is central to the performance\, as it is believed to summon spiritual entities. \n3. Symbolic Movements: \nThe dance involves slow\, deliberate\, and synchronized movements that depict humility\, reverence\, and the connection between the physical and spiritual realms. Dancers may hold symbolic items like gourds\, leaves\, or staffs. \n4. Traditional Costumes: \nPerformers wear colorful traditional attire made from kente or other local fabrics\, often accessorized with beads and adornments. The costumes are modest and ceremonial to reflect the sacredness of the event. \n5. Chants and Songs: \nAlongside the drumming\, the dancers sing or chant traditional songs in the Ga language. These chants narrate historical events\, praise the gods\, or convey moral teachings. \n6. Community Participation: \nAlthough the dance is performed by a select group\, the entire community actively participates by singing\, clapping\, and cheering\, creating a vibrant and unifying atmosphere.
URL:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/event/kple-dzoo/
LOCATION:A&C Banquet Hall\, 12596 Darby Brooke Ct\, Woodbridge\, VA 22192\, United States
ATTACH;FMTTYPE=image/jpeg:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/wp-content/uploads/2026/09/KPLE-DZOO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Accra:20250326T073000
DTEND;TZID=Africa/Accra:20250326T213000
DTSTAMP:20260928T141131Z
CREATED:20260928T140633Z
LAST-MODIFIED:20260928T141131Z
UID:2424-1742974200-1743024600@communicative-copper-giraffe.195-250-23-66.cpanel.site
SUMMARY:OMPE MMRE
DESCRIPTION:“Ompe Mmre” is a traditional Ghanaian dance rooted in the Akan culture\, primarily performed during festivals\, communal gatherings\, and celebratory events. The name “Ompe Mmre\,” meaning “It does not like laziness” in Akan\, reflects the energetic and dynamic nature of the dance. \nKey Features of Ompe Mmre:\n1. Purpose and Theme: \nThe dance celebrates hard work\, resilience\, and communal unity. It is often used to motivate individuals to remain diligent and hardworking while emphasizing the benefits of collective effort. \n2. Energetic Movements: \nThe dance features vibrant\, fast-paced\, and rhythmic movements. Dancers use their whole bodies\, with quick footwork\, jumps\, and arm gestures that convey strength and vitality. The movements often mimic agricultural activities such as planting and harvesting\, symbolizing labor and productivity. \n3. Accompanied by Drumming: \nOmpe Mmre is accompanied by traditional Akan drums\, such as the atumpan and fontomfrom\, which set the tempo. The drummers interact closely with the dancers\, adjusting the rhythms to match their movements and energy. \n4. Traditional Costumes: \nPerformers wear traditional Akan attire\, such as kente cloth or simple wrappers\, often accompanied by accessories like beads and headgear. The costumes are colorful and reflect the celebratory mood of the dance. \n5. Song and Chant: \nThe dance is often accompanied by communal songs or chants that praise hard work and encourage participants to persevere in the face of challenges. The lyrics are uplifting and inspire collective participation. \n6. Communal Spirit: \nOmpe Mmre is not performed in isolation. It involves the community\, with people forming a circle around the dancers\, clapping\, singing\, and cheering them on. This fosters a strong sense of unity and shared purpose. \n7. Cultural Significance: \nThe dance underscores the values of discipline\, industriousness\, and teamwork\, making it an essential part of traditional ceremonies that celebrate achievements or encourage moral conduct. \nOmpe Mmre remains an emblematic representation of the Akan people’s cultural heritage\, celebrating their values and connecting the present generation with their ancestors’ teachings.
URL:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/event/ompe-mmre/
LOCATION:Divine Hall\, 3115 Golansky BLVD\, Woodbridge\, VA 22192\, United States
ATTACH;FMTTYPE=image/jpeg:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/wp-content/uploads/2026/09/OMPE-MMRE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Accra:20250312T073000
DTEND;TZID=Africa/Accra:20250312T213000
DTSTAMP:20260928T141349Z
CREATED:20260928T140223Z
LAST-MODIFIED:20260928T141349Z
UID:2421-1741764600-1741815000@communicative-copper-giraffe.195-250-23-66.cpanel.site
SUMMARY:ADEZUWA DAA
DESCRIPTION:Adezuwa\, as performed by the Fante and Guan coastal communities of Ghana\, is a traditional dance that showcases the rich cultural heritage of these ethnic groups. The dance is deeply tied to the maritime lifestyle of the people and reflects their relationship with the sea\, communal celebrations\, and spiritual practices. \nKey Features of Adezuwa:\n1. Purpose and Context: \n\nAdezuwa is primarily a festive and ceremonial dance\, performed during fishing festivals\, communal gatherings\, and rites of passage.\nIt serves as a way to honor the spirits of the sea for bountiful catches\, express gratitude\, and celebrate the unity of the coastal communities.\nThe dance is also used to tell stories and preserve oral traditions\, especially those related to the sea and the livelihood it provides.\n\n2. Dance Movements: \n\nThe movements of Adezuwa mimic the motions of the sea and fishing activities\, such as casting nets\, paddling canoes\, and pulling in catches.\nDancers often exhibit graceful\, wave-like movements of the arms and body\, alternating with more energetic and rhythmic steps.\nThe choreography emphasizes synchrony\, symbolizing teamwork and harmony\, which are essential in fishing communities.\n\n3. Musical Accompaniment: \n\nThe dance is accompanied by traditional instruments\, such as:\n\nDrums (like the fɔntɔmfrɔm and brekete): Providing the core rhythm.\nClappers\, rattles\, and bells: Adding texture and energy to the music.\nStringed instruments like the seperewa may also be incorporated in some variations.\n\n\nThe music has a lively tempo\, evoking the bustling energy of fishing activities and celebrations.\n\n4. Songs and Chants: \n\nCall-and-response songs are an integral part of Adezuwa\, with themes often revolving around:\n\nPraise for the sea gods and ancestors.\nStories of bravery\, perseverance\, and community.\nExpressions of joy and gratitude for successful fishing expeditions.\n\n\nThese songs are performed in the Fante and Guan languages\, enhancing their cultural significance.\n\n5. Costumes and Adornments: \n\nPerformers wear traditional coastal attire\, such as:\n\nColorful patterned fabrics tied as wraps or skirts.\nBeaded jewelry and headbands that symbolize cultural identity.\nSome dancers may carry props like fishing nets or paddles to accentuate the maritime theme.\n\n\n\n6. Community Participation: \n\nAdezuwa is a communal activity\, involving the entire community. Spectators join in by clapping\, singing\, or moving to the rhythm.\nThe dance strengthens social bonds and reaffirms cultural identity.\n\n7. Cultural Symbolism: \n\nThe dance symbolizes gratitude\, resilience\, and unity\, reflecting the coastal communities’ dependence on the sea and their ability to work together to overcome challenges.\nIt also serves as a way of teaching younger generations about their cultural values and maritime heritage.\n\nSignificance:\nAdezuwa stands as a vibrant testament to the maritime culture of the Fante and Guan people. It is not just a performance but a living tradition that celebrates the interconnectedness of the people\, the sea\, and their shared history. Through its dynamic movements\, rhythmic music\, and participatory spirit\, Adezuwa continues to be a cherished aspect of Ghanaian cultural heritage.
URL:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/event/adezuwa-daa/
LOCATION:A&C Banquet Hall\, 12596 Darby Brooke Ct\, Woodbridge\, VA 22192\, United States
ATTACH;FMTTYPE=image/jpeg:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/wp-content/uploads/2026/09/ADEZUWA-DAA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Accra:20250306T073000
DTEND;TZID=Africa/Accra:20250306T213000
DTSTAMP:20260928T143523Z
CREATED:20260928T143416Z
LAST-MODIFIED:20260928T143523Z
UID:2441-1741246200-1741296600@communicative-copper-giraffe.195-250-23-66.cpanel.site
SUMMARY:68th INDEPENDENCE ANNIVERSARY
DESCRIPTION:EL-ABON PLUS LLC and NYONMO DA CULTURAL TROUPE LBG\, through African Folklore Concerts\, present Ghana’s 68th Independence Anniversary. This cultural showcase offers an authentic experience of Ghanaian traditions\, highlighting the historical and artistic significance of Fante culture. The performance is designed to inspire\, educate\, and promote once again the Fante culture. It will be performed by the 25 artists of NYONMO DA CULTURAL TROUPE\, unique in their presentation of Ghanaian traditional ethnic and folklore music\, as the artists are skillful in the art form to bring to life the heritage and spirit of the Fanti people. \nADENKUME is a Fante ethnic song\, a Ghanaian traditional music that encompasses a range of rhythms\, melodies\, and instruments.
URL:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/event/68th-independence-anniversary/
LOCATION:3115 Golansky Blvd\, 3115 Golansky BLVD\, Woodbridge\, VA 22192\, United States
ATTACH;FMTTYPE=image/jpeg:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/wp-content/uploads/2026/09/68th-INDEPENDENCE-ANNIVERSARY.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Accra:20250304T193000
DTEND;TZID=Africa/Accra:20250304T213000
DTSTAMP:20260928T133616Z
CREATED:20260928T133616Z
LAST-MODIFIED:20260928T133616Z
UID:2414-1741116600-1741123800@communicative-copper-giraffe.195-250-23-66.cpanel.site
SUMMARY:KOLOMASHIE
DESCRIPTION:Kolomashie is a traditional dance and musical performance of the Ga-Adangbe people of Ghana\, particularly associated with the coastal communities of the Greater Accra Region. It holds significant cultural and historical importance and is performed during festivals\, social gatherings\, and funerals. \nRooted in Ga cultural heritage\, Kolomashie celebrates bravery\, unity\, resilience\, and communal pride through energetic dance movements\, rhythmic drumming\, traditional songs\, and audience participation. \nKey Features of Kolomashie\n1. Historical Background\nKolomashie is traditionally associated with war dances that inspired warriors and celebrated victories. Over time\, it evolved into a recreational and ceremonial performance representing bravery\, unity\, and cultural identity. \n2. Purpose and Cultural Significance\nKolomashie serves several cultural and social purposes\, including: \n\nHonouring ancestors and celebrating communal achievements.\nPromoting unity among the Ga-Adangbe people.\nProviding entertainment during festivals\, social gatherings\, and cultural celebrations\, including Homowo.\n\n3. Musical Accompaniment\nKolomashie music is driven by traditional drums and percussion instruments that create its distinctive\, lively rhythms. These may include: \n\nGome drum: A large\, box-shaped drum played as part of traditional musical performances.\nAtumpan and kpanlogo drums: Drums associated with Ghanaian traditional and contemporary cultural music.\nBells and rattles: Instruments that add rhythm\, texture\, and depth to the music.\n\n4. Dance Movements\nThe dance features energetic\, coordinated movements involving the arms\, legs\, and torso. Dancers perform bold gestures and quick footwork in response to the drumming\, creating a captivating display of rhythm\, coordination\, and cultural expression. \n5. Traditional Costumes\nPerformers wear traditional attire\, which may include locally woven fabrics such as kente or plain cloth. Beads\, headgear\, sashes\, and other accessories complement the outfits\, adding colour and cultural significance to the performance. \n6. Chants and Songs\nKolomashie features call-and-response singing\, in which a lead singer introduces a phrase and the group responds. The songs may recount stories\, celebrate achievements\, preserve cultural knowledge\, or communicate moral lessons. \n7. Community Participation\nCommunity involvement is an essential part of the performance. Spectators are encouraged to clap\, sing along\, and sometimes join the dancing\, creating an engaging atmosphere that brings performers and audiences together. \n8. Symbolism and Heritage\nKolomashie represents strength\, resilience\, unity\, and cultural pride. Through its music\, dance\, chants\, and communal participation\, it helps preserve and transmit the traditions and history of the Ga-Adangbe people across generations. \nConclusion\nKolomashie remains an important expression of Ga cultural heritage. Through its vibrant music\, energetic dancing\, traditional costumes\, and community participation\, it celebrates the identity and history of the Ga-Adangbe people while fostering unity and keeping cultural traditions alive.
URL:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/event/kolomashie/
LOCATION:A&C Banquet Hall\, 12596 Darby Brooke Ct\, Woodbridge\, VA 22192\, United States
ATTACH;FMTTYPE=image/jpeg:https://communicative-copper-giraffe.195-250-23-66.cpanel.site/wp-content/uploads/2026/08/KOLOMASHIE.jpg
END:VEVENT
END:VCALENDAR